Custom plastisol colors let you match brand palettes and reduce ink inventory. Here's how to mix recipes by weight, choose the right bases, and separate artwork to the colors you already stock.
Buying every Pantone in a gallon is expensive. Mixing custom plastisol ink from a handful of bases—red, yellow, blue, white, black—lets you hit nearly any brand color on demand and keep less ink on the shelf.
The advantages are cost, speed, and control. You can match a customer's corporate Reflex Blue or a school's exact maroon without waiting on a special order. You can adjust opacity, add reducer or soft-hand additive, and tune the viscosity for your mesh and press conditions.
The catch: ink mixing is part chemistry, part experience. Ratios matter. Measurement matters. And once you've dialed in a recipe, you need a reliable way to save it so the next run prints identically.
Plastisol pigments settle. Bases have different densities. Mixing by eye-balled volume—scoops or cups—will drift batch to batch, especially with metallics, opaque white, or high-pigment colors.
A digital gram scale (0.1 g precision, tare function) is the simplest path to repeatable recipes. Record every color as parts by weight: 100 g White + 12 g Reflex Blue + 3 g Black. Next time, scale the recipe up or down proportionally and the color stays consistent.
If you must mix by volume, use calibrated syringes or measuring spoons and accept that opacity and hue may shift slightly run-to-run. Document everything—shop lighting, mesh count, cure temp—so you can troubleshoot when a rematch looks off.
Most shops start with a CMY + WK system: Process Cyan, Process Magenta, Process Yellow, Opaque White, and Black. That covers simulated-process halftone work and gives you the subtractive primaries for spot-color mixing.
Add a few workhorses and you unlock 90 percent of Pantone's solid range: Reflex Blue, Warm Red, Bright Orange, Purple, and a true neutral gray. Wilflex, Union, FN-INK, and One Stroke all publish mixing formulas that assume you stock these cores.
Specialty inks—metallic gold/silver, puff, discharge white—don't mix predictably with standard plastisol. Keep them separate. Athletic Gold and Athletic Purple are also notoriously hard to mix; many shops buy them pre-mixed for team jobs.
Ink manufacturers supply formula guides—Pantone-to-base conversions—as PDFs or in their online portals. Wilflex Color System, Union Ink's Color Matcher, and FN-INK's recipe charts are all free to download once you register as a customer.
Important: recipes are brand-specific. A Wilflex Rio formula won't match if you substitute Union bases; pigment load, resin chemistry, and additive packages differ. Stick to one vendor's bases for each recipe, or be prepared to test and adjust.
When a published formula calls for a color you don't stock—say, Rubine Red—you can approximate it by mixing Magenta + Warm Red + a touch of Black. Test on scrap fabric under your actual cure and mesh setup. Write down every adjustment: if you added 2 g more Cyan to cool a green, note it. That's your shop recipe now.
A Pantone color bridge or formula guide shows each solid color as a printed swatch. Mix your recipe, draw down a sample with the same squeegee durometer and pressure you'll use on press, and cure it fully. Compare under daylight (5000 K) or your shop's standard lighting—color temperature matters.
If the match is too dark, add white or a transparent base in small increments (1–2 percent by weight). Too light? Add the dominant hue or a drop of black. If it's shifted warm or cool, add the complementary: yellow warms, blue cools, magenta shifts toward red.
Track your tweaks in grams. Once approved, label the batch with the Pantone number, date, total weight, and the full recipe. Store a cured swatch with the label so you can visually confirm the next mix without hunting for the original artwork.
Custom mixing pays off when your color-separation software can build halftones and spot channels around the inks you already have. Instead of outputting six colors for a design, you separate to the five bases on your shelf—fewer screens, faster setup, lower cost.
AI Separations' ink-inventory matching lets you load your shop's Wilflex or FN-INK palette—or a custom list with your mixed recipes—and the AI engine separates each job to those exact inks. If a customer sends a seven-color vector and you stock White, Black, Red, Royal, and Yellow, the software will re-map the artwork into that set, preserving detail and managing underbase automatically.
The result: predictable color, no emergency ink orders, and you can quote faster because you know which screens and which inks every job will need before you print the first film.
AI Separations is a standalone Windows app built for working screen printers. Drag in a design and get AI-powered simulated-process or spot-color separations, white underbase, highlight white, and automatic trapping—no Adobe subscription required. The built-in AI Print Doctor flags low resolution, banding, and underbase issues before you burn a screen. Instant Quote calculates setup, press time, and suggested retail with your profit margin baked in. Profit Mode re-separates every job for cheapest, fastest, fewest screens, or premium quality. And ink-inventory matching ensures every sep uses the plastisol you already have on the shelf.
Download your free trial at aiseparations.com—$179 one-time to unlock everything, no monthly fees.
Yes, but expect slight color shifts batch-to-batch because pigments settle and bases have different densities. A gram scale delivers repeatable recipes every time.
No. Recipes are brand-specific—Wilflex, Union, and FN-INK bases differ in pigment load and resin chemistry. Use the formula guide that matches the bases you stock.
A CMY + White + Black system covers simulated process. Add Reflex Blue, Warm Red, Orange, Purple, and Gray to unlock 90 percent of the Pantone solid range.
Record every ingredient by weight, label the container with the Pantone number and date, and attach a cured fabric swatch so you can visually verify the next batch.
Yes. AI Separations lets you load your shop's ink list—Wilflex, FN-INK, or custom recipes—and separates each design to those exact colors, reducing screens and simplifying inventory.
AI Separations is a standalone prepress & quoting studio for screen printing & DTF — AI color separation, an instant quote, a print-readiness check, and ink matching. No Photoshop, $179 one-time, free trial.