Color separations — plus quoting, pre-flight & ink matching.

AI Separation Advisor

AI reads the artwork and recommends ink count, palette, underbase, and garment — so even beginners get a pro setup.

AI background removal

One click strips the background off a customer file. No clipping paths, no masking, no Photoshop pen tool.

AI upscaling

Rescue low-res customer JPEGs before they wreck the print. A real ML model rebuilds detail.

Simulated-process & spot

Halftone-screened plates at proper angles and LPI, or spot color for solid, crisp-edge plates on logos and flat art — plus registration marks so every screen lines up on press. Both modes free in your browser.

Underbase & highlight white

Trapping, choke/spread, and white layers handled automatically — the details that make dark-garment prints pop.

Match to the inks you own

Upload the inks your shop already stocks and every separated color snaps to what's on your shelf — with the closest Pantone to order when nothing's close. Mix the right ink the first time.

Per-ink density control

Dial any ink plate up or down — “knock the yellow back 15%, push the red” — without touching the others. Selective, per-color saturation, the way a pro separator tunes a job.

RIP-ready output + hot folder

Export per-plate EPS films at true print size and the print-ready PDF — then auto-drop them into your RIP's watched hot folder (AccuRIP or any RIP). No manual feeding.

Vector / PDF separation

Export your Illustrator or CorelDRAW art to PDF, drop it in, and it reads the exact flat colors — converting messy process into clean, buyable spot colors with crisp solid plates. No k-means guessing on vector logos.

Registration marks on export

Stamp crosshair registration targets in a margin on every plate and the print-ready PDF, at identical positions — so your screens line up on press, every job.

Manual channel editing

Brush paint or erase any plate — ink, underbase, or highlight white — then re-screen in one click. Fix a closed-up detail or pull back ink by hand, like a pro separator would.

Real ink libraries + snap-to-ink

Separate to inks you can actually buy or mix. Pick a library — Pantone solids, plastisol stock, or branded sets (Wilflex, Rutland, Union) — or load your own, and snap the palette to the closest real inks with ΔE accuracy shown.

GCR / UCR ink reduction

Gray Component Replacement pulls the shared neutral onto the black plate, and Under-Color Removal thins white under heavy black — less ink, cleaner neutrals, softer hand.

RIP-grade screening

Mesh-count presets that set the right LPI, moiré-safe screen-angle sets, and highlight/shadow dot limits so small dots hold and shadows don’t plug — RIP control, built in.

Art-type presets

One pick dials in the whole separation for tricky art — bold vector logos, gradients & blends, skin tones, or full photographic simulated-process.

AI Print Doctor

“See every print problem before it costs you a screen.”

One diagnostic report flags low resolution, too many colors for your press, banding gradients, transparent edges that leave DTF glue residue, fine detail that’ll close up, whether it needs an underbase, and whether it’s really a screen or DTF job.

Instant Quote Generator

“Know what to charge before you waste time separating the file.”

Screens, setup, press time, suggested retail, and a customer quote — with your profit margin — in seconds. Quote from the palette before you separate, or auto-priced from the real screen count after.

Profit Mode

“Choose quality, speed, or profit before generating the final seps.”

Cheapest, fastest, best-quality, lowest-screen-count, or premium — pick a goal and the app retargets the whole separation. The same art as 8 colors for quality, 6 for balance, or 4 for budget, with the price and quality tradeoff shown side by side.

Ink Inventory Matching

“The separation uses the inks already on your shelf.”

Enter the inks you stock — Wilflex, FN-INK, or your own mixes — and every color snaps to what you own instead of colors you’d have to buy. With Delta-E warnings, the closest Pantone to order, and a mixing recipe when nothing’s close.